Ferdinand Hodler. Profession de foi

Description

This exhibition studies for the first time the links between Ferdinand Hodler's (1853-1918) painting and religion. In his youth, the Swiss painter was an avid reader of the Bible. He incorporated rare biblical scenes into his paintings, particularly that of the Good Samaritan. Of Bernese origin, Protestant by faith, he also created a painting linking him to the Reformation and the Geneva city: Calvin in the College courtyard. Several church interiors and prayer scenes are also known.
Exploring the religious roots of Ferdinand Hodler, this exhibition mainly develops how the painter adopts the idea of creation, transposing it onto nature, almost developing a form of pantheism through his artistic theory. The belief that the order of nature expresses a higher unity guided the creation of Hodler's most important works, including his last major symbolist compositions, such as "Looking into infinity," and the landscapes he calls "planetary," inviting meditation and elevation. The exhibition traces, through about twenty-five paintings, Hodler's various professions of faith and the spiritual stages of his journey.

Highlights

• First exhibition on the links between Hodler and religion
• Presentation of twenty-five paintings
• Iconic works like "Looking into infinity"

General Information

The exhibition "Ferdinand Hodler. Profession de foi" is held at the International Museum of the Reformation in Geneva. It explores the Swiss artist's religious roots and presents his major works, highlighting his vision of nature and spirituality.

Location

rue du Cloître 4, 1204 Genf, Switzerland

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