Ali, Catherine and Ferdinand. The Escalade seen by Hodler

Description

45-minute lecture by Jean-Quentin Haefliger, co-director of the International Museum of the Reformation and member of the Company of 1602.
In Geneva, the Escalade is much more than a historical episode: for some, it is almost a religion, with its tutelary figures, rites, costumes, songs, and celebrations. In the 19th century, this collective memory also inspired Ferdinand Hodler.
In 1886, the young painter from Bern created the decor of the Taverne du Crocodile, formerly located at 100, rue du Rhône. He painted several scenes of the Escalade there: soldiers in procession, spectators, women fleeing, picturesque characters, and above all, the famous Mother Royaume perched on her donkey. In this tavern universe, Hodler transforms Geneva's memory into a true gallery of characters and symbols.
This lecture brings together two exhibitions presented in Geneva this fall: one dedicated to the Escalade and the centenary of the Company of 1602, organized at the Maison Tavel, and the other, Ferdinand Hodler. Profession de foi, presented at the International Museum of the Reformation. A meeting between painting, spirituality, and commemoration.

Highlights

• 45-minute lecture by Jean-Quentin Haefliger
• Exploration of the Escalade through Ferdinand Hodler's work
• Dialogue between two exhibitions in Geneva

General Information

This lecture focuses on the importance of the Escalade in Geneva's culture and its interpretation by Ferdinand Hodler. It links two major exhibitions, one on the Escalade and the other on Hodler, offering a unique perspective on art and collective memory.

Location

rue du Cloître 4, 1204 Genf, Switzerland

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