Description
Through the prism of more than 300 glass animals, the exhibition questions the complex and ambivalent relationship of humans with the living. The variety of forms, expressions, and attitudes attributed to the animals reveals both our curiosity and our desire to understand the fauna, as well as our wish to control their representation and domestication. For this occasion, a film about the Palazzo of Pierre Rosenberg in Venice was specially made. The glass figures are shown in their usual environment - that of their collector, who has carefully placed them throughout the house - thus fully shaping the atmosphere of the place. By integrating this bestiary into the museum space - a place where objects are stored, classified, and exhibited - mudac adopts the codes of the display case to better break them. This shifts the focus from the observed animal to the human observing it, thus revealing the mechanisms of our ambivalent relationship.
Highlights
- Nearly 300 glass figures from the Pierre Rosenberg Collection
- A specially produced film about the Palazzo in Venice
- The exhibition explores the relationship between humans and animals
General Information
The exhibition at mudac showcases an impressive collection of glass figures that illuminates the complex relationship of humans with fauna. The works are placed in the usual environment of the collector and offer a unique insight into the representation and domestication of animals.
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Event Calendar
September 2026
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