Eyal/Goecke

Description

Strawinsky meets Techno In this double evening, two worlds merge into an electrifying dance experience – unmistakable, contrasting, and hypnotically powerful. Sharon Eyal's ‹Bedroom Folk› unfolds a pulsating pull of electronic music and collective energy. With the driving beats of Ori Lichtik, powerful formations emerge between strict precision and ecstatic dynamics. In ‹Le Sacre du printemps›, Marco Goecke unleashes Strawinsky's legendary music – performed live by the Basel Symphony Orchestra. In reduced aesthetics and razor-sharp movement language, he draws attention to psychological dependencies, power relations, and perpetrator-victim dynamics. Participating artists and additional information: Artistic team - Musical direction of ‹Le Sacre du printemps› – Thomas Herzog, Martin Georgiev - Choreography of ‹Bedroom Folk› – Sharon Eyal, Gai Behar - Choreography and stage design of ‹Le Sacre du printemps› – Marco Goecke - Rehearsal of ‹Bedroom Folk› – Léo Lérus - Rehearsal and production management of ‹Le Sacre du printemps› – Ralitza Malehounova - Rehearsal management of ‹Bedroom Folk› – Takako Nishi - Costumes of ‹Bedroom Folk› – Rebecca Hytting - Costumes of ‹Le Sacre du printemps› – Marvin Ott - Sound design of ‹Bedroom Folk› – Ori Lichtik - Lighting design of ‹Bedroom Folk› – Alon Cohen - Lighting design of ‹Le Sacre du printemps› – Udo Haberland - Dramaturgy UA of ‹Le Sacre du printemps› – Andräs Borbély T. - Choreographic assistance UA of ‹Le Sacre du printemps› – Patrick Teschner - Lighting – Christian Foskett, Patrick Gysin Cast - Ballett Basel