Les petites filles sont des punks qui reviennent déguisées en hamster

Description

To close her cycle "Portraits d’actrices", Floriane Comméléran draws inspiration from Judith Godrèche's impactful speech at the César 2024. On stage, Olivia Csiky Trnka and Camille Mermet bring to life an epistolary dialogue where the words of the actress and writer intertwine with those of Anouk Grinberg, based on their respective works Prière de remettre en ordre avant de quitter les lieux and Respect. These two major figures, who have broken the silence on systemic violence against women in French cinema, come together here in an address to a friend, an ally. The setup goes straight to the point: to say, to make heard, to no longer remain silent. Both punk, pop, and rock, the percussion by Colline Grosjean (from the band Massicot) injects an organic pulse into the exchanges. The words clash, respond, and are inscribed in the bodies, at the intersection of theater, music, and movement. A musical and political manifesto that refuses to think of art under the sign of power, preferring justice and sisterhood. As part of the weekend dedicated to sexist and sexual violence in the performing arts.

Highlights

• Inspired by Judith Godrèche's speech at César 2024
• Performances by Olivia Csiky Trnka and Camille Mermet
• A musical and political manifesto on systemic violence

General Information

This event concludes Floriane Comméléran’s "Portraits d’actrices" cycle. It features an epistolary dialogue between two major figures of French cinema, addressing sexist and sexual violence in the performing arts.

Location

Passage Maximilien-de-Meuron 4, 2000 Neuchâtel, Switzerland

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