Description
Kitsch is straightforward, easy to understand, and successful. This explains its popularity as well as rejection. It often crosses the boundaries of good taste. It can be a valuable memory and comfort, but also intend to manipulate the masses. It remains important to distinguish historically (art-historically) between kitsch and visual arts. Using numerous examples – from copied Baroque angels, seemingly meaningless garden gnomes to works by individual artists like Ottmar Hörl, Jeff Koons, Claire Ochsner, and many others – we explore current definitions. Course instructor: Dr. Andrea Végh, PhD in History and Art Sciences, Art History, Archaeology, and Sociology. Image caption: (1) Souvenir kitsch that reminds: 50th anniversary of Emperor Franz Josef's reign: 1848-98. Photo: Vegh (2) Landscape kitsch that makes you smile: Picture postcard
Highlights
- Course instructor: Dr. Andrea Végh
- Examination of kitsch in visual arts since the 19th century
- Examples from artists like Jeff Koons and Ottmar Hörl
General Information
The course "Kitsch in Visual Arts" at the Solothurn Adult Education Center explores the development and controversies surrounding kitsch in art. Numerous examples are used to discuss the distinction between kitsch and visual arts.
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November 2026
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